Conference

All papers presentations and breaks will take place in the Skempton Building, located on Imperial College Road and across from the Dyson Building which is hosting the Exhibition.

Please note that the below schedule is indicative and could change.

Thursday, 17 September

Starting time
9:00Registration desk open and welcome coffee available
9:30Conference opening
9:45Keynote – Co-Evolving Threads: Botanical Evolution, Indigenous Craft, and the Roots of Material Intelligence by Mark Nesbitt
Paper Session 1
Intersections with Biology
10:30Towards Textile Templating in Mycofabrication: Knitted Structures as Substrate and Scaffold

by Romy Kaiser, Elise Vanden Elsacker, Martyn Dade-Robertson, Ben Bridgen, and Jane Scott
10:45Textile as Ecological Index: Casting Domestic Food Waste into Wearable Biomaterial Media through a Domestic Biodesign Framework

by Valerie Yan Tong Chua
11:00Bacterial Cellulose as Biofabricated Textile Material: Biotinkering and Trajectories of Textile Materialisation

by Ziqian Yu and Valentina Rognoli
11:15Coffee break
Paper Session 2
Intersections with Colour
11:45Evolutive textiles design with the variability of natural dyes : a color-driven approach of textile design

by Lou Ramage and Camille Fuzier
12:00Developing an Industrial Microbial Colour System through Textile Printing

by Ruth Lloyd, Alice Taylor, James Ajioka, and Carole Collet
12:15Colour Without Extraction: Towards Ethical Pigments

by Tonya Meyrick and Jacinta Kay
12:30Design Decisions as Leverage Points of Textile Production and Supply Chain Orientation: Case Textile Colouration

by Helmiina Hirviniemi, Maarit Salolainen, and Astrid Tolnov Larsen
12:45Reya: Reuse Yarn. Product, Process and Practice

by Elizabeth Gaston
13:00Lunch
Paper Session 3
Intersections with Culture and Communities
14:00Textile Commons of Care: Intergenerational Mending and Temporalities

by Sam Bennett and Gabriele Ferri
14:15Threading the Line: Switchboard Labor, Bodily Knowledge, and the Textile Traditions of Telephone Operating

by Yuhanxiao Ma
14:30Beyond Softness: examining how vocabulary marginalises the material narrative of native British wool

by Zoë Fletcher and Nicci James
14:45Explore It – A speculative approach investigating the material intelligence of casein for future textile materials

by Ellen Malene Pilgaard Harsaae, Ronni Anthony Johannesen, Anne Louise Bang, Tine Hjort, Hanne Thaarup Mølbak, and Katrin Meinert Maagaard
15:00Coffee Break
Paper Session 4
Intersections with Software and Hardware
15:30Opportunities and challenges of toolpath-based 3D printed textiles: insights from Digital Design and Craft course

by Yoav Sterman
15:45LOOMING between shaft looms and a TC2 Jacquard Loom – A Serendipitous Expedition with Live Weaving

by Pei-Ying Lin, Alex McLean, Helen Milne, Femke Vorselen, and Kristina Andersen
16:00Imagining Open-Source Ecosystems for Experimental Weaving: A View from the AdaCAD Project

by Laura Devendorf, Deanna Gelosi, and Etta Sandry
16:15Designing with Evolutive Colors: A Proof of Concept for Bio-based Dye Integration in Textile Design Digital Workflow

by Clarisse Barbot, Camille Fuzier, Bertrand Loïc, De Visscher Emile, and Mavros Panayotis
16:30Textile Digital Drape Definition – TD3: Comparing Digital to Physical Design Considerations

by Alexandra A. M. Kuijpers, Troy Nachtigall, and Maarten R van Bommel
16:45Break to relocate to the Dyson Building for the Exhibition Reception

Friday, 18 September

Starting Time
9:00Registration desk open and welcome coffee available
Paper Session 5
Intersections with Practices and Processes
9:30Including the Hybrids: The Thread Arrangement as a Lens for Manifesting Textile Designers’ Agency

by Juri-Apollo Drews
9:45Sketching Fast, Sketching Slow: Extending Sketchnoting Practices With E-Textiles

by Anna Blumenkranz, Barbro Scholz, Irene Posch, and Verena Fuchsberger
10:00From Textility to Embodied Experience: A Practice-Led Generative Approach to Textile ICH Engagement

by Mi Lin, Elif Ozden Yenigun, and Anne Toomey
10:15Material Impasse: Decentering Intentionality through Uncertainty in Textile Craft

by Ruxandra Lupu
10:30Designing Garments as Processes: Material Transformation, Temporality, and Care in Contemporary Fashion Practice

by Zuzana Šebeková
10:45Coffee break
Paper Session 6
Intersections with Smart and Programmable Systems
11:15Three-dimensional transformable textiles woven with hygromorphic high-twist linen yarn

by Kathryn Walters
11:30Shaped Circular Knitting for Zero Waste Design: A Material-Driven Approach To Knitted Textile-Forms

by Sem Janssen and Holly McQuillan
11:45Towards self-powered woven triboelectric textiles using commercial yarns

by Swarnalok De, Mithila Mohan, Matteo Iannacchero, Marie Vihmar, Jaana Vapaavuori, and Mauri Kostiainen
12:00Mechanically Recycling Metallicized Fabrics

by Maya Thabal Herron, Magdalena Kohler, Tommaso Nieri, Daniele Spinelli, Ilaria Canesi, Zora Kutz, Berit Greinke, and Rebecca Stewart
12:15The Impact of Differentiated Post-Consumer Textile Waste Sorting on the Homogeneity of Recycled Yarns

by Magdalena Kohler and Holger Cebulla
12:30Lunch
Paper Session 7
Intersections with Soft Robotic
s
13:30Hooked : Programmable, Capacitive Sensing through Crochet as a Medium for Garments with Tactile Interaction

by Juliette Hars and Josie Hughes
13:45Strain-sensing Auxetic Knit with Embedded Elastomeric Optical Fibers

by Rashmi Mohan and Jeyeon Jo
14:00Industrial Panel – Bridging the Gap between Academia and Industry to Accelerate Innovation
15:00Coffee break
Paper Session 8
Intersections with Woven Interactions
15:30Designing with Drafts and Cross-Sections: Reflections on How Representations of Woven Structure Shape Design Practice

by Deanna Gelosi and Laura Devendorf
15:45Soft Shapeshifters: Thai Backstrap Weaving as embodied interaction and soft system

by Bine Roth and Wuthigrai Si
16:00WarpForm: An Accessible Loom Add-On for Weaving Non-Rectangular Textile-forms

by Savanne Klop, Manuel Borrego Carazo, Milou Voorwinden, and Holly McQuillan
16:15Soft Shaping: Zonal Elasticity in Layered Woven Textiles

by IHAB JIRYIS and Arielle Blonder
16:45Conference closing address
17:30Evening social activity
The Skempton Building, where all paper presentations and breaks during the conference will be held.
Photograph of Mark Nesbitt

Keynote

Mark Nesbitt, Royal Botanic Gardens, Kew

Mark Nesbitt is Senior Research Leader for Plant Humanities and past Curator of the Economic Botany Collection at the Royal Botanic Gardens, Kew, where he has worked since 1999. An ethnobotanist, his research focuses on plant-people relationships through time, with a special interest in plant-based materials. He has researched the global history, structure, and use of natural fibres—such as barkcloth, basketry, paper, and textiles—and specializes in repurposing historic and botanical collections to address contemporary challenges. He is a Visiting Professor at Royal Holloway, University of London, and a Visiting Professor-in-Practice at LSE, and a past-president of the Society for Ethnobotany. His most recent book, with Ruth Stungo, is Weaving Nature: Basketry from Plants to People (Kew, 2026).

Co-Evolving Threads: Botanical Evolution, Indigenous Craft, and the Roots of Material Intelligence

Addressing the conference’s exploration of Material Intelligence, I will explore the relevance of Kew’s historic Economic Botany Collection to contemporary dialogues in biodesign, interactive textiles, and soft systems. I will examine how plant evolutionary biology and human technological ingenuity co-respond to create functional fabrics. By exploring intricate botanical architectures—from the resilient leaves of New Zealand Flax (Harakeke, Phormium tenax) to the nested, net-like inner bark of Jamaican Lace-bark (Lagetta lagetto) – I trace a deep historical lineage of evolutionary design. Rather than viewing flora as passive resources, I highlight how Indigenous and Local makers creatively engaged with plants’ living biology over the last 200 years. I argue that this reciprocal material dialogue directly anticipates contemporary research in more-than-human agency being presented at this conference.

Industry Panel

Chaired by Mili Tharakan from InnovateUK, the panel will discuss Bridging the Gap between Academia and Industry to Accelerate Innovation.

Mili Tharakan – Panel Chair, Knowledge Transfer Manager ‑ Smart Materials and Textiles, InnovateUK

Mili Tharakan is a Knowledge Transfer Manager for Smart Materials and Textiles at Innovate UK Business Connect. With over 20 years of international experience, she has worked in both academia and industry to accelerate textile innovation. After eight years researching smart textiles in academia, she moved into industry to establish an innovation lab for one of India’s largest home textile manufacturers, helping to develop and commercialise smart textile products. Mili has also led initiatives to bring together stakeholders across the fragmented smart textiles sector, building collaborations that enable innovation at scale. Having worked across research, start-ups, manufacturing and innovation ecosystems, Mili is passionate about building collaborations that translate ideas from the laboratory into real-world impact.

Dr Natalie Ishmael – Innovation Manager, Generation Phoenix

As Innovation Manager at Gen Phoenix, Natalie leads new process and material developments to drive innovation in next generation leather alternatives. With a background in textile engineering, and roles held across Technical, Quality and Operation functions, she uses her experience to implement breakthrough concepts at scale. In addition to working on new product developments, she leads the business’s external partnerships with universities and research centres.

Dr Ruth Lloyd – Researcher

Ruth Lloyd is a textile researcher specialising in sustainable textile printing and microbial colour. Her PhD at Central Saint Martins, University of the Arts London, was conducted as an embedded researcher in partnership with Colorifix, where she developed microbial textile printing processes and supporting systems for industrial application. Her wider research practice spans material research, sustainable materials, process development and textile innovation, working across academic and industrial research and research consultancy.

Dr Alejandro Luna – SME Research and Development Manager, UAL Fashion, Textiles, and Technology Institution

Dr Alejandro Luna is SME R&D Manager at UAL’s Fashion, Textiles and Technology Institute (FTTI), where he leads collaborative R&D between the Institute and industry partners, connecting academic research to material innovation and new routes to market. Trained as a biologist, he brings a transdisciplinary perspective to fashion and textile innovation, working closely with SMEs, designers, and research partners to accelerate sustainable innovation across the textile ecosystem. He also teaches on the MA Biodesign at Central Saint Martins and is an Honorary Lecturer at Imperial College London, Centre for Environmental Policy. 

Dr Victoria Mataczynski – Co-Founder and CEO, Nanoloom

Victoria is the CEO and Co-Founder of Nanoloom, an innovator bringing to market a high-performance, circular materials platform for a variety of sectors and use cases, starting initially with a biodegradable, recyclable stretch fibre (“elastane”) for apparel. She was previously part of the original 3-person team building an AI dealtech startup that captured over 50% of its market during her tenure. Her role spanned fundraising, as well as negotiating and driving sales and terms, and designing and building the product itself and its AI modules. She exited with her equity. Prior to that she was a corporate lawyer at top tier firms like A&O Shearman, leading, negotiating and executing over 50 deals worth £1 billion+, from VC to IPO stage. For early stage and venture-backed technolgoy companies she has negotiated contracts, advised on M&A transactions, employment law matters, fundraising and capital restructurings. 

Dr Sara Robertson – Co-Founder and Creative Director, FLOCC / Sara + Sarah Smart Textiles

Sara Robertson co-founded FLOCC with her business partner Sarah Taylor of Sara + Sarah Smart Textile Design, in collaboration with Annika Syrjämäki of Maison du Flock. This international collaboration rapidly turned an idea into reality, creating a circular materials start-up on a mission to transform post-industrial natural fibre waste streams into electrostatic flock fibre for applications across interiors, fashion and lifestyle products.